The production, though stuck in the "bedroom noise-psych" aesthetic, is constantly surprising--large swaths of compressed, moaning distortion tend to empty the brain cavity. The record breathes. Nowhere to be found are the two dynamic settings of a band like No Age (which basically boils down to: is the drummer on the ride cymbal, or isn't he?) or the incessant churn of novice noisemakers. Whoever is drumming is pretty incredible. Rhythm does not dominate this record, but it enhances the overall hugeness--the closest sonic equivalent I can think of is Phil Elvrum's drumming on the Glow Pt. II, which has long been one of my touchstones for a gigantic, over-compressed drum sound.
The motherfuckers only pressed 500 of these, sold out, so you're sort of out of luck for now. However, if you live in SF, they're playing at the LiPo Lounge in Chinatown, this Friday, Dec. 5 (with "the Bridez," fuck a "z" in a bandname), and they'd better have LPs there or I'll be upset. The show is free, at least.
SONGZ:
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